![waves h-delay waves h-delay](https://splice.com/blog/wp-content/uploads/2016/06/Screen-Shot-2016-06-17-at-13.58.35-1024x420@2x.png)
With tape delay, this happened because there was a single loop of tape used to produce the delay, and different delay times were achieved by changing the speed of the tape's playback. QuirkyĪnalogue tape and other vintage delay units had an uncanny and interesting side effect: when you shifted from one delay time to another, the pitch of the echoes changed.
![waves h-delay waves h-delay](https://www.jrrshop.com/media/catalog/product/cache/1/image/600x600/67c1abc240f598cdd0a0637b386dd74a/w/a/waveshcomp_2_1.jpg)
Although it's subtle, these Analog modes are great for rounding off the edges and making the results less clinical. We also noticed that the Analog modes work on the whole signal, ie, also treating the dry signal.
#Waves h delay manual
The manual simply says that these affect the sonic character of the effect - in practice, they add distortion to different parts of the frequency spectrum. There's also a lo-fi setting that makes the delay signal a little scratchier (it emulates the lower sample rate of old school digital delays), and four coloration settings via the Analog section. There are flexible low- and high-pass filters (both go from 20Hz to 20kHz) for tailoring the delay signal and once these are set, you can use the Link knob to adjust them simultaneously, like a band-pass filter. "The Analog modes are great for rounding off the edges and making the results less clinical." Pitch modulation is limited to a triangle-shaped LFO with adjustable depth, but with LFO frequencies up to 6kHz, there's potential for serious sound manipulation.